Assuming you have an excellent adapter that has been shimmed for focus accuracy, it also allows you these benefits: If you have a limited budget, then don’t look further than a Samyang/Rokinon Cine DS prime set (Amazon, B&H): I would start with a four lens set: 24mm, 35mm, 50mm and 85mm T1.5. Because of these demanding specifications, they are often considerably more expensive than similar still lenses. The focus ring rotates past 270 degrees to give you a sufficient focus throw. But, if you use a lens for a crop sensor on a full frame camera, the image will only cover a portion of the sensor. Use this resource as a guide for finding and purchasing your first set of cinema lenses — a set that’ll provide high value for years to come. This is a really sharp lens that works really well for portrait photography, but also as a nice filmmaking lens for telephoto uses. These Sigma cine zoom lenses are a great choice for professional cinematographers, and they are really compact and well priced considering the price for a similar Zeiss zoom lens is twice as much. The focal length range on this lens is really nice.

It’s the Sigma 18-35mm f1.8. This may happen as a result of the following: Please make sure that Javascript and cookies are enabled on your browser and that you are not blocking them from loading.

Credit: Vintage Cinema Lens Library . The whole Irix cine lens line is built with a stout construction and has rubber seals for rain or dust protection. Remember: what matters more is the creative force behind the concept and the gear. There are a number of considerations in picking the right lens. When choosing Sigma camera lenses, make sure to select the appropriate mount type for your specific camera. Though not fully weatherproof, the Tamron 28-75mm F/2.8 boasts moisture-resistant construction with environmental seals located at the lens mount area and other critical locations to prevent infiltration of moisture and/or raindrops. eval(ez_write_tag([[336,280],'4kshooters_net-leader-1','ezslot_9',147,'0','0']));Last but not least a classic choice, the Zeiss Planar 50mm and Zeiss Planar 85mm, both f1.4. Videomaker is always looking for talented, qualified writers. Priced reasonably, this is the ideal starter lens for the amateur photographer. Compact cine lenses aimed to independent filmmakers, with optimal sharpness and excellent construction. It may be a little on the heavy side tough compared to the body you’re attaching it to. The Sigma 18-35mm f/1.8 DC HSM Art lens has numerous measures against aberrations that will ensure crisp, clean images for users of all skill levels. Additionally, while new video cameras are being made every year, the technology in optics just doesn’t advance as fast. The products must also deliver a superior user experience.

If you’re only going to purchase one cinema lens, the Sigma Cine 18-35mm T2 is hard to beat at a bargain price of $4,000. These are my suggestions for the best Canon lenses for video and cinema work.

The constant maximum aperture of f2.8 gives a great low light performance and image sharpness is excellent even wide open. If this is an acceptable compromise to you, that’s good. More blades lead to a more circular opening, producing smoother, more pleasing bokeh in the defocused areas of the image.

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The lens maintains good levels of sharpness, even when shooting at the widest aperture. These products must help videographers be more effective storytellers while being affordable, easy to use and dependable. With a maximum aperture of f/1.8, this lens works great in low lighting. Which brings us to the Sigma mirrorless options….

These suppress chromatic aberration and promise corner-to-corner image quality and minimal distortion even at the maximum F1.8 aperture.

Following up is a “pancake” lens, the Panasonic Lumix 20mm f1.7.

Beautiful Optical Quality.