[3], The Hall of Mirrors was built during the third building stage between 1678 and 1684 and was to replace the large terrace, that opened towards the garden. The event greatly contributed to the further accretion of the Franco-German enmity. À l'époque seuls les verriers de Venise étaient susceptibles de fabriquer des miroirs d'aussi grande dimension et parfaitement plats. The palace was to provide ideal settings for rest and retreat but it also had to attain a new quality of representation as the future seat of Europe's greatest absolutist royal court and government of supreme authority, residence of choice for the aristocratic society and arena for elaborate state festivals and ceremonies, Europe's centre of culture, art and entertainment. Utilisez DeepL Traducteur pour traduire instantanément textes et documents, Le mois de mai sera lui consacré à la mise en valeur par la lumière qui consiste à mettre en place 220 nouvelles sources lumineuses spécialement conçues pou. Kosa Pan presents King Narai's letter to Louis XIV at Versailles, 1 September 1686, Embassy of Mehemet Raza-Bey, ambassador of the Shah of Persia, 19 February 1715 ca. The king used to hold his special audiences. The observer has the illusion to live in a space 120 times vaster, made of tiled dodecahedra which duplicate like in a mirror hall. Vous découvrirez en particulier les Grands, In particular, you will discover the Great Royal, Le marbre rouge de Rance ou « Vieux Rance » est probablement celui qui a été le plus. The buildings of the “Le Vau Envelope” included the king's apartments in the north and the queen's apartments in the south. exp.
The Hall of Mirrors (French: Grande Galerie, Galerie des Glaces, Galerie de Louis XIV) is a grand Baroque style gallery and one of the most emblematic rooms in the royal Palace of Versailles near Paris, France. Après la victoire sur les trois puissances liguées, représentées au salon de la Guerre, la galerie exalte tout au long de ses soixante-treize mètres les succès politiques, économiques et artistiques de la France. Media related to Hall of Mirrors (Palace of Versailles) at Wikimedia Commons [13][14], Capture of the city and citadel of Gand in six days, 1678, Order restored in the Kingdom's finances, 1662. Red marble from Rance or "Old Rance" was probably the most prolificaly used marble in the decoration of. It was during this costume ball that Louis XV, who was dressed as a yew tree, met Jeanne-Antoinette Poisson d'Étiolles, who was costumed as Diana, goddess of the hunt. On the one hand, the mirrors had an aesthetic function, as the mirror image of the garden depicted the exterior of the castle into the interior of the building and reflected the candlelight in the evening. icebound. et aussi dans les 30 colonnes monolithiques de l'Opéra Garnier à Paris. pris dans les glaces. Recherchez des traductions de mots et de phrases dans des dictionnaires bilingues, fiables et exhaustifs et parcourez des milliards de traductions en ligne. The marble and porphyry busts of eight Roman emperors are accompanied by sculptures of Greek and Roman deities and Muses, such as Bacchus, Venus (Venus of Arles), Modesty, Hermes, Urania, Nemesis and Diana (Diana of Versailles).

visitor passing there. Courtyard), but also different salons or sitting rooms, used for columns, capitals, wainscoting, etc.. Début novembre, l'échafaudage - 45 m de long et 10 m de haut - qui occupe depuis un an et demi la moitié nord d. Hidden from view by a scenographic installation, this scaffolding - 45 m long and 10 m high - has been occupying the north half of the Hall of Mirrors for the last eighteen months; starting in early November, it will have to be dismantled and then reassembled in the southern half of the Hall. there and have his throne of silver brought for the circumstance. The Siamese Embassy. The Hall of Mirrors has been the scene of events of great historic significance on a number of occasions. The most celebrated event of the 18th century on 25 February 1745 was the celebrated Yew Tree Ball. The grandiose ensemble of the Hall and its adjoining salons was intended to illustrate the power of the absolutist monarch Louis XIV.