"I Looked after Antonin Artaud". Roku 1906 odešel Antoine do Odéonu a vedení divadla svěřil svému žákovi Firminu Gémierovi, který pokračoval v započatém díle a na počest zakladatele divadlo přejmenoval na Théâtre Antoine. [30] Artaud also had a significant influence on the philosophers Gilles Deleuze and Félix Guattari, who borrowed Artaud's phrase "the body without organs" to describe their conception of the virtual dimension of the body and, ultimately, the basic substratum of reality in their Capitalism and Schizophrenia. He is best known for conceptualizing a 'Theatre of Cruelty'. The Cenci was a commercial failure, although it employed innovative sound effects—including the first theatrical use of the electronic instrument the Ondes Martenot—and had a set designed by Balthus. The content of this work closely resembles the poems of his later days, concerned primarily with the supernatural. There are also a number of pyramids made of cannonballs in the old fortress. The evolution of modern theatrical production, Other developments in the study of movement, Production aspects of Expressionist theatre, Developments in Russia and the Soviet Union, The influence of Grotowski and the Polish Laboratory Theatre, Theatre Projects - Types and Forms of Theatres, Victoria and Albert Museum - Theatre History. Antonin Artaud. From Wikimedia Commons, the free media repository, Théâtre Antoine (es); テアトル・アントワーヌ (ja); théâtre Antoine (fr); مسرح انطوان سيمون بيرياو (arz); Théâtre Antoine (ca); Théâtre Antoine (de); Théâtre Antoine (pt); Théâtre Antoine-Simone Berriau (en); Théâtre Antoine (cs) théâtre dans le 10e arrondissement de Paris (fr); Theater in Paris (de); theatre in Paris (en); مسرح في الدائرة العاشرة في باريس، فرنسا (ar); divadlo v Paříži (cs); theater in 10e arrondissement van Parijs, Frankrijk (nl) Teatre Antoine (ca); アントワーヌ劇場, アントワーヌ座, テアトル・アントワーヌ＝シモーヌ・ベリオ (ja); théâtre des Menus Plaisirs, théâtre des Menus-Plaisirs, théâtre Antoine-Simone Berriau (fr); Teatro Antoine (pt); Théâtre Antoine (en); Théâtre des Menus Plaisirs, Théâtre Libre (cs); Théâtre Antoine-Simone Berriau (de), Library of Congress authority ID: no2004090108, 1957-11 Le Coeur volant - Théâtre Antoine - René Arrieu et Geneviève Page.jpg, Tournee du Theatre Antoine Suzanne Despres.jpg, Plaque André Antoine, 10 rue André-Antoine, Paris 18.jpg, https://commons.wikimedia.org/w/index.php?title=Category:Théâtre_Antoine&oldid=336715615, Monuments historiques in Paris 10e arrondissement, Monuments historiques in Paris (theaters), Pages with local object coordinates and matching Wikidata coordinates, Cultural heritage monuments in France with known IDs, Creative Commons Attribution-ShareAlike License. Entre tradition et modernité, le Théâtre Antoine demeure ainsi une des scènes de théâtre les plus belles et plus populaires de Paris. In England, where the Industrial Revolution was more advanced than in the other European countries, the middle class had to struggle for its own theatres against the entrenched power of the two patent houses (licensed by the Crown), Drury Lane and Covent Garden, which had enjoyed an almost total monopoly of dramatic theatre since 1660.

Mussolini’s Quincussis: Was the Ancient Roman Coin a Fake? The rise of the middle-class theatres caused the decline of both the patent houses in London and the Comédie-Française—the national theatre of France. Théâtre Antoine-Simone Berriau is a theater located at 14 boulevard de Strasbourg in the 10th arrondissement of Paris.. In 1935 Artaud decided to go to Mexico, where he was convinced there was 'a sort of deep movement in favour of a return to civilisation before Cortez'. Le théâtre prend alors le nom de Théâtre Antoine. Antonin Artaud. The 800-seat Italian Style theater was built in the year 1866. The Festival included productions of The Jet of Blood, All Writing is Pig Shit, and several original ritualized performances, one based on the Texas Tower killings and another created as an ensemble catharsis called The Resurrection of Pig Man. PLUS D’INFORMATIONS. The Fort Antoine Theatre is a small amphitheatre on the Avenue de la Quarantaine in the Monaco-Ville ward of Monaco. Sein erster großer Erfolg war Die Macht der Finsternis (1888). The first production of the Théâtre-Libre had no scenery at all but only a few pieces of furniture borrowed from Antoine’s mother, yet it was this production that set the Naturalist style. Postupné změny názvu divadla: Les Menus Plaisirs (1866), Le Théâtre des Arts, L'Opéra-Bouffe, La Comédie-Parisienne (1881), Théâtre des Menus Plaisirs (1882), Théâtre Libre (1888), Théâtre Antoine (1906), Théâtre Antoine – Simone Berriau (1984). "The Deconstructed Self in Artaud and Brecht: Negation of Subject and Antitotalitarianism", Forum for Modern Language Studies, 26:3 (July 1990): 282–297. In 1906, as director of the state-subsidized Théâtre de l’Odéon, he produced classical plays in which he strove for realism not by means of period decor and costume but by re-creating theatrical conventions of the 1600s. "[23]:6, In 1943, when France was occupied by the Nazis, Robert Desnos arranged to have Artaud transferred to the psychiatric hospital in Rodez, well inside Vichy territory, where he was put under the charge of Dr. Gaston Ferdière.